Thursday, December 28, 2006

The iPhone Saga Continues ...

WITH only a dozen days to go before Steve Jobs strides out of the left-side wings of the huge stage in the ballroom of the Moscone Centre in San Francisco to open Macworld 2007, we are up to our ear lobes in rumours.

I am told on fairly good authority that the actual announcements will be fairly small. But that's only a rumour, too, and does not sit with what you might call the main spate of rumours that Jobs will again, at the end of his keynote speech, have "just one more thing" that will shred everyone's socks.



In other words, the long-awaited iPod-with-bigger-video-screen-and-mobile-phone.

Before committing my well-bruised body to that maelstrom of speculation and misinformation, let me mention a product much more likely to appear - Apple's iTV.

This, further evidence that Apple aims to dominate the world's living-room entertainment, is a sort of set top box that will stream movies, music video podcasts and picture slide shows from networked Macs and PCs to television sets and video screens.

And now back to those damned iPodPhone rumours.

Speculation about an Apple wireless mobile device has been around for more than a year and, in the lead-up to Macworld 2007 has become all but a frenzy, fed principally by a couple of industry analysts who have gone hard on its imminent release. Of these I have already written, and advised taking some salt with the soup.

Some say it will be a GSM 2.5G phone, others that it will be 3G working in the 1900MHz and 2100MHz wireless frequency bands, and still others, noting what is said to be a relationship between Apple and Cingular, one of the biggest US mobile phone networks, that it will operate in the 850MHz band. This last-named is the frequency used by Telstra's national 3G NextG network.

But there is another possibility, that the device will be an iPod with Bluetooth for personal networking, and WiMAX for wireless internet access.

So, just for rumour's sake, think of an iPod with WiFi and/or WiMAX capability, with an internet browser in its software. It could, for example, have a scaled-down version of MacOSX as its operating system.

Then think of that little iPod hard drive also holding software not unlike Skype or Gizmo. And just suppose the device had a plug-in microphone/earbud setup, akin to a mobile phone hands-free unit - or maybe even a built-in microphone and earpiece.

Would you then have an iPod mobile phone with which you could make internet phone calls to anywhere in the world for next to nothing?

The technology is there. It may not yet be 100 per cent reliable, but it is improving all the time and nothing is more sure than that the internet will soon be at the core of almost everything we do, if it is not already.

But will that be the "just one more thing" we will see in San Francisco on January 9? Your guess is as good as mine.

Wednesday, December 27, 2006

Wii outsells PS3 in Japan


Sales of both the PlayStation 3 and Wii consoles jumped in Japan during the second week of December thanks to greater supplies of the consoles from their respective manufacturers.

Nintendo's Wii was the best-selling console for the week at 108,237 units, according to figures from Media Create. The retail market data provider ranked Sony's PlayStation 3 in second place among consoles at 70,942 units and Microsoft's Xbox 360 in third at 17,168 units.

The figures mean both the new consoles recorded their best week of sales in Japan yet, with the exception of the launch weeks.

Among software sales games for the Wii easily outranked those for the PlayStation 3. Two games, "Wii Sports" and "Pokemon Battle Revolution" made it into the top-ten with sales of 69,923 units and 67,607 units, respectively, for the week. The best-selling PlayStation 3 title was ranked at number 35 in the chart, which is dominated by games for the Nintendo DS handheld and PlayStation 2.

Microsoft's Xbox 360 saw sales drop during the week but they were still relatively good for the year-old machine. During the week, sales of the machine totalled 17,168, Media Create said. That's about half the amount sold the week earlier but well above sales recorded in November.

Tuesday, December 26, 2006

Waiting for Apple's cellphone call


Apple talks of combining the company's hit iPod digital music player with a cellphone.

The introduction of most cellular phones doesn't cause much buzz on Wall Street, and when it does it usually is because analysts have actually seen the gadgets. But when the cellphone maker could be Apple Computer Inc. and the company hasn't even confirmed the existence of the device, the chatter just won't stop.

In the past six months, talk about an Apple device that combines the entertainment functions of the company's hit iPod digital music player with a cellphone has reached new heights. The hypersecretive Apple has stayed silent on its phone plans has only amplified speculation about a device. Entering the cellphone business likely would give Apple a huge revenue boost, which would be good for current shareholders over the long term.

People familiar with the matter say Apple's cellphone is in the works. One person says it likely would have voice and music capabilities in its initial version, but not email and word-processing software. Apple has provided some tantalizing clues about its plans. An Apple patent application related to a wireless iPod-like device was recently made public on the U.S. Patent and Trademark Office's Web site. Analysts and bloggers have widely speculated that the Apple cellphone could be called the iPhone, but the prospects of that look more doubtful now: Earlier this week, Cisco Systems Inc. released a family of Internet phones under the name iPhone.

Ms. Runkle wrote that she had been told that two cellphone models went into production this month with four-gigabyte and eight-gigabyte storage capacities, similar to the iPod nano and enough to store as many as a few thousand songs. She has Morgan Stanley's most positive rating on the stock.

As big as the risks are, it would be riskier for Apple to ignore the cellphone market. Handset makers are improving the entertainment functions of their products, designing them with music
playback in mind and adding more storage capacity.

Read full story at MoneyWeb

Cracks found in new Windows

Researchers, hackers find flaws in Microsoft's Vista




Microsoft is facing an early crisis of confidence in the quality of its Windows Vista operating system as computer security researchers and hackers have begun to find potentially serious flaws in the system that was released to corporate customers late last month.

On December 15, a Russian programmer posted a description of a flaw that makes it possible to increase a users privileges on all of the company's recent operating systems, including Vista. And over the weekend a Silicon Valley computer security firm said it had notified Microsoft that it had also found that flaw, as well as five other vulnerabilities, including one serious error in the software code underlying the company's new Internet Explorer 7 browser.

The browser flaw is particularly troubling because it potentially means that Web users could become infected with malicious software simply by visiting a booby-trapped site. That would make it possible for an attacker to inject rogue software into the Vista-based computer, according to executives of a company based in Redwood City, California, that sells software intended to protect against operating system and other vulnerabilities.

Should one buy Vista ? Atleast I am going to wait and watch ...

Monday, December 18, 2006

Innovative Firefox Ad

Today I found this ad for firefox while surfing ... quite innovative I would say. If you cant read the text (because of image resolution) it says : - Always use Protection ; GetFirefox.com ; Firefox is a free web browser that offers greater privacy and prevent pop-ups, spyware and viruses.

At $200 Xbox 360 HD DVD is a bargain

While the Sony PlayStation 3 may have an integrated Blu-ray player, Microsoft is doing its best to blunt that possible competitive advantage with a next-generation DVD player of its own for the Xbox 360.

Dubbed simply Xbox 360 HD DVD player, the fairly basic external drive connects to the Xbox 360 via a USB cable. You can either stand the drive upright or lay it down horizontally. Whichever way you go, the whole outboard concept is a little kludgey, but the drive's $200 price tag is quite reasonable considering today's stand-alone HD DVD players start at $500.

Better yet, Microsoft is also throwing in an Xbox 360 Universal Media Remote and, for a limited time, a copy of Peter Jackson's King Kong HD DVD.

The Xbox 360 HD DVD player offers most of the features we expect from stand-alone HD DVD players, such as bookmarking and a zoom function. The 360's current component video and VGA adapters both have an optical digital output as their highest-quality audio jack, which can carry only standard DVD-level Dolby Digital and DTS surround sound.

The good news: Dolby Digital is the base soundtrack on all HD DVD movies, so you should always get a solid surround soundtrack instead of dead air.

Apart from its connectivity drawbacks, the Xbox 360 HD DVD player makes a perfectly suitable means of watching HD DVDs, and it's a good way for Xbox 360 owners get in on the next-generation DVD action without investing too much. Of course, adding $200 to the cost of the Xbox 360 puts the total cost of the console at the same price as the PlayStation 3 and its integrated Blu-ray drive.

Apples to apples, if next-generation DVD is what you're looking, the PS3 is going to be the better overall solution from a design standpoint. But for die-hard Xbox 360 fans, the PS3 just isn't an option.

On the Ending Note : Microsoft didn't market the Xbox 360 HD DVD player to work with PCs, nor does it officially support PC connectivity, but there are reports on the Web that you can indeed hack the player to work with a PC. However, on top of a set of Windows drivers, you'll also need a copy of DVD playback software, such as WinDVD8, that supports playback of HD DVD discs.

You can get one here

Also read the full review from CNET




Thursday, December 14, 2006

Seagate CEO: We help people watch porn

You think tech execs are boring? Check out a freewheeling interview with Seagate's Bill Watkins, who might be Silicon Valley's most outspoken CEO.

When Seagate CEO Bill Watkins spoke to Fortune senior editor Jeffrey M. O'Brien last week, he showed an openness usually reserved for cynical media commentators and reviewers. Over a dinner in San Francisco the outspoken Texan told the reporter about Seagate’s ultimate goal.

"Let's face it; we're not changing the world. We're building a product that helps people buy more crap - and watch porn."

Watkins goes on to comment on a range of issues, from his own board members to the HP scandal, the Blu-Ray vs. HD-DVD war and about saying no to meetings to watch his beloved football team.

When asked about the recent scandal involving HP, and if anyone has taken notice, he says: "Wall Street certainly didn't. I saw it and thought, it's good to know there's a board of directors more dysfunctional than mine."

So, I will say thank you Mr Watkins, for showing us that some CEO’s are still living, breathing people.

You can read the whole story here

Tuesday, December 12, 2006

MS boss prefers a Mac

No, No .. its not what you are thinking ... I am not talking about Bill Gates, this is about Jim Alchin, the man who has just brought you Windows Vista has told his boss Stever Balmer that if he had his way he would buy an Apple Mac.










"I would buy a Mac today if I was not working at Microsoft."

That was the very unexpected declaration made by Windows chief Jim Allchin in a January 2004 e-mail to Steve Ballmer and Bill Gates. The previously undisclosed e-mail was introduced as evidence last week in Microsoft's antitrust trial in the USA. Now, in a blog post responding to the coverage, Allchin cautions against taking the statement out of context and writes that he "was being purposefully dramatic" to make a case for a major overhaul of the Windows development process. In the 2004 e-mail, Allchin wrote that he saw "lots of random features and some great vision," but he warned that the Windows teams had lost their way.

Allchin says in his explanatory post that the company made the necessary changes. And he takes the opportunity to make a pitch for the result, Windows Vista, describing it as "far, far better than any other software available today."

Presumably that means the Seattle-area Apple Stores shouldn't be looking for a surprise customer anytime soon. Nevertheless, Steve Jobs suddenly has an eye-catching quote to add to his slides for next month's Macworld keynote.

Apple's iPhone ... Can it fail ??


There are a million reasons why the worst kept secret in the world, Apple’s upcoming iPhone, will succeed. Unfortunately for the Cupertino company there are even more reasons why it will not.

When Apple first introduced its iPod range of mp3 players it solved a big problem for consumers; space. The music players had up to that point been severely lacking in storage capability and the public knew it.

Enter Steve Jobs with his funky glasses, bean bags in the office and beautiful design. The iPods took the world by storm, and has no doubt been the catalyst to Apple’s other successful products. Ultimately, however, Apple is not a phone company. The last ‘revolutionary’ product that came out of the hipsters was the Mac mini, which largely flopped.

The mobile phone market is extremely competitive, and newcomers normally don’t do too well. Not only do the manufacturers have to compete on technology and performance, but getting in on lucrative deals with the carriers as well.

Apple also has to take into consideration the frequency that people trade in their cell phones. Unlike a high end mp3 player, mobile phones can be traded in as often as twice or three times a year, according to trends and emerging technology. Apple can not afford to jump on an already frantic race to always be first to market as well as being competitive on price. Ultimately, end users will be very interested to see Apple’s offering, but the hype will die off eventually.

I am sure the good people at Apple are aware of these concerns. At times they have proven to be equally brilliant at creating a profitable business model, as at creating eye-catching products. What future holds for Apple, we can only wait and watch.

Sunday, December 10, 2006

Apple to Take on Xbox, Wii, PS3 ?

Wall Street analyst says Apple hiring game developers.

The latest Apple rumor has the computer maker entering the gaming console, taking on Microsoft, Sony, and Nintendo.

In a note to clients published Monday, Prudential Equity Analyst Jesse Tortora said his checks show the Cupertino, California computer maker is hiring video game designers. The hires could indicate a move into either the gaming console market or that Apple could add fresh gaming capabilities to its existing line of iPod music players.

If Apple attacks the gaming console market, it would put the company up against some various serious competition. However, such a move might be needed to keep Sony and Microsoft from dominating the digital living rooms.

Both Sony and Microsoft are relying on their consoles to push new technologies into the living room, posing a serious threat to Apple’s own digital lifestyle aspirations. Apple has been edging into the living room building the ability to download feature films into its popular iTunes digital media store and announcing plans to introduce a set top box, code named iTV, that will allow users to more easily move downloaded films to their televisions.

Ultimately, we think Apple’s decision to enter the video game market could depend on its need to defend its position against the competition in the battle over the digital home.

Apple has dabbled in the console market before. The Pippin (see below), a set top multimedia player and game console designed by Apple and licensed by Bandai was a flop in the early 1990s. In May of 2006 it was named by PC World as one of the 25 worst tech products of all time.



There are two possibilities for Apple. A handheld device would allow Apple to easily build on the success of its iPod music players, which already play a wide array of games. A game console, however, could build on Apple’s efforts its MacMini computer and its plans for the iTV set top box.

Saturday, December 09, 2006

IE beware , here comes the 3rd Fox

Mozilla fans still starry-eyed from the recent release of Firefox 2.0 can already get a glimpse at what the next version of the browser will look like, as an alpha version of Firefox 3.0 has recently been uploaded to Mozilla's public FTP server.

Mozilla today hit an early milestone on the road to the next version of its open-source browser, but the final product is still a year away, developers say.
The Mozilla team released its first alpha release of Firefox 3.0 today, giving Firefox and Web application developers an early look at the next-generation browser. This release is not intended for regular users, not even those who like to play around with early versions of a product, Mozilla said.

The software, code-named Gran Paradiso, comes just six weeks after Mozilla shipped version 2.0 of the browser, but it has already been more than a year in development, according to Mike Schroepfer, Mozilla's vice president of engineering.

3.0 Features

The final version of Firefox 3.0 is expected to be released by the end of 2007. Developers hope that it will be a major step toward making Web applications indistinguishable from programs that are installed on the desktop, Schroepfer said.

Gran Paradiso features better support for a number of graphics standards, such as the Scalable Vector Graphics (SVG) language and the Canvas specification, Schroepfer said. "These are fairly major architectural changes to enable us to improve performance."

Firefox 3.0 also supports the Cairo graphics library, which aims to make Web pages look the same whether they are being printed or viewed on a Windows PC, a Macintosh, or a small-screen device.

The Firefox 3.0 plan calls for browsing, bookmarking, and privacy enhancements to be built into the browser, but Schroepfer said there is still a lot of time to work out new features. "It's a bit early to be talking about the user-facing features," he said.

Friday, December 08, 2006

Internet gangs hire students for cybercrime

Reuters report that organized gangs have adopted "KGB-style" tactics to hire high-flying computer students to commit Internet crime.

Criminals are targeting universities, computer clubs and online forums to find undergraduates, according to Internet security firm McAfee.

McAfee said the students write computer viruses, commit identity theft and launder money in a multi-billion dollar industry. The gangs' tactics echo the way Russian agents sought out experts at trade conferences or universities during the Cold War. Although organized criminals may have less of the expertise and access needed to commit cybercrimes, they have the funds to buy the necessary people to do it for them.

McAfee said its study was based partly on FBI and European intelligence. In Eastern Europe, some people are lured into "cybercrime" because of high unemployment and low wages.

"Many of these cybercriminals see the Internet as a job opportunity," McAfee quoted FBI Internet security expert Dave Thomas as saying. "With low employment, they can use their technical skills to feed their family."

Hackers are paid to write computer viruses that can infect millions of machines to discover confidential information or send unwanted "spam" emails. This "spyware" can detect credit card numbers or other personal information which is then used by fraudsters. Criminals trawl through social networking Web sites which allow people to leave their pictures and personal details.

Their research helps them to target "phishing" attacks, where people are sent fraudulent emails to trick them into revealing credit card numbers. Hackers are increasingly hired to spy on businesses, McAfee said. "Corporate espionage is big business," it added.

( Read the full story here )

Wednesday, December 06, 2006

And they said : Zune will fail ....

The music device can't go up sale-for-sale against industry leader iPod, but it's holding its own



With its Zune digital music player, Microsoft is showing just how powerful its marketing clout is. On Dec. 6, the company disclosed that it's on track to sell more than 1 million Zunes by June 30, the end of its fiscal year. Zune is establishing critical mass. "It's totally in line with our expectations," says Bryan Lee, vice-president of entertainment business at Microsoft.

The projection comes in the wake of sales data from market research firm NPD that shows Zune sliding from second to fifth place among digital music players in the week ended Nov. 25, its second week in stores. But Microsoft says that data includes cheaper players with less storage capacity, not the market it's targeting with Zune.

"The De Facto Challenger"

Lee says Zune isn't positioned to go for the high-volume segment of the digital player market that the flash memory-based players are shooting for. Instead, Microsoft is focusing on the higher end of the business for hard disk-based players.

Zune is the latest effort by Microsoft to find new growth. The company is gambling that it will build an iPod-like business over several years and hopes to eventually cut into the market leader's hegemony with such features as the ability for Zunesters to share music wirelessly with each other.

Making the Numbers

"We wanted to get out and be relevant in the space," Microsoft's Lee says. That grounding will give the company the foundation on which to build its Zune business. "We're pretty fast learners," Lee says.

If Microsoft hits its sales forecast, it would translate into $250 million in sales. That would put Zune sales in its first seven months alone on par with what Goldman Sachs analyst Rick Sherlund estimates will come from annual sales of Microsoft's mobile phone software. And that would be sweet music indeed for Microsoft.

( Read the full article from Businessweek )

Tuesday, December 05, 2006

MySpace say's : Bye Pedophiles

MySpace to Purge Sex Offenders

MySpace announced today it will begin searching its 100 million-plus user list for people listed in a national database of sex offenders.

Why didn't I think of that!

Just kidding, one can run a perl script to screen-scrape the Department of Justice's National Sex Offender Registry and run all the names and ZIP codes through MySpace's search engine.

Now MySpace is going to do its own searching, in partnership with a background-check company called Sentinel Tech Holding Corp.

From the press release:
"We are committed to keeping sex offenders off MySpace," said MySpace's Chief Security Officer, Hemanshu Nigam. "Sentinel Safe will allow us to aggregate all publicly available sex offender databases into a real-time searchable form, making it easy to cross-reference and remove known registered sex offenders from the MySpace community. The creation of this first-of-its-kind real-time searchable database technology is a significant step to keep our members as safe as possible."

The whole first-of-its-kind, never-been-done-before, thank-God-the-technology-finally-exists thread runs throughout the press release. The language seems calculated to let MySpace escape responsibility for failing to police the sex offenders on its site prior to October, despite the availability of a free online registry demonstrably useful for exactly that purpose.

That said, Sentinel's database promises to be far more powerful than the DOJ registry. As described, it'll contain detailed information, including height, weight, eye and hair color, and the complete offense history of each offender -- all completely searchable. It'll be like a Google for sex offenders.

That leaves just one real disappointment in this announcement: How MySpace plans to use the data. With all that information at its disposal, and a "24-hour-a-day dedicated staff" using it, MySpace could seriously enhance its policing. Instead, the company is taking a sophisticated database and wielding it as a blunt instrument, simply banning everyone on the list from registering or keeping a MySpace account, regardless of who they are or what they did.

This is bad because, obviously, banning sex offenders won't keep them off MySpace: it'll just give them a reason to lie about their name or location, even if they aren't up to no good. Now sex offenders who want to stay on MySpace will all be using false information from the start.

MySpace is essentially refusing an opportunity to detect and imprison active repeat offenders, by moving the entire superset of ex-offenders into the shadows. Does the convicted pedophile have lots of teenagers on his friendslist? MySpace won't know, because he'll be under same veil of anonymity as the flashers and peeping toms.

We know there are some ex-sex offenders who attempt to recidivate from accounts opened under their real names. If you believe they will now stay off MySpace, then the company's policy is good for safety. But if you think they'll simply start spelling their name a little different or lying about their ZIP code, then MySpace has lost the chance to take them off the streets.

MySpace is taking the easy way out. It may be good PR to be able to say that you don't allow past sex offenders of any stripe on your website, but the company should keep its eye on the ball: the goal isn't to keep a former flasher from blogging about his cat, it's to keep current pedophiles from pursuing children. MySpace could tell the difference, if it wanted to. A smart policing effort would use the sex offender database as one of many data points in keeping the site safe. Sometimes zero-tolerance is really tolerance.

(Read the news at The New York Times )

Got a camera ? Start clicking ...because Yahoo will pay for it.

I read an interesting article this morning in the New York Times about a joint effort on behalf of Reuters and Yahoo! to attempt to monetize Yahoo!'s large and constantly updated collection of user photos.





"Starting tomorrow, the photos and videos submitted will be placed throughout Reuters.com and Yahoo News, the most popular news Web site in the United States, according to comScore MediaMetrix. Reuters said that it would also start to distribute some of the submissions next year to the thousands of print, online and broadcast media outlets that subscribe to its news service. Reuters said it hoped to develop a service devoted entirely to user-submitted photographs and video."

Which is very interesting and something that probably should happen.

A couple of thoughts though.

First off is that a news agency's reputation is *everything*. This is a bold step on the part of Reuters. Even with experienced editors reviewing the images there certainly can be fraudulent photos submitted.

If you are a blog, or digg, or some other kind of user generated content service, people to a certain degree (or at least should to a certain degree) take what gets published with a grain of salt. After all anyone can write a blog and anyone can submit to digg. Certainly over time some bloggers build up reputations that can be as solid as a news agency, but in the end it's the news agencies out there that have the most to lose when bad news gets out there.

"This is an imperfect process. Last summer, a blogger discovered that photos of the conflict in Lebanon by a freelance photographer working for Reuters had been digitally altered. Reuters stopped using the photographer and withdrew his work from its archive. The company is now trying to develop software that will help detect altered photographs."

So it's a big step for Reuters to make the jump from hiring known photographers (who can still cheat) to letting anyone in the world submit photos. I think this is good, I'm just surprised to see it under their name. I would have thought that even if they wanted to get into the user generated photo news business that they would create some kind of a subsidiary with all kinds of let the viewer beware labels or something.

It will be interesting to see how people respond the first time someone gets a doctored photo published as news on Reuters. Who knows, maybe nobody will care.

The thing with news though is that it breaks fast. We say this with the London bombings when photos of the bombings broke on Flickr before the major news outlets. And sometimes when it breaks fast you don't have the time to do the due diligence with a photo. I wonder who will be the first person to get a goatse or a hidden image of Howard Stern in the background of a photo picked up by them.

So I think this is an interesting and bold idea by Reuters and Yahoo is probably the perfect company to match with this.

But here's what I don't like:

"Users will not be paid for images displayed on the Yahoo and Reuters sites. But people whose photos or videos are selected for distribution to Reuters clients will receive a payment. Mr. Ahearn said the company had not yet figured out how to structure those payments."

So let's see, I'm going to go out, capture news, create something of value, it's going to be used by two for profit companies who will theoretically be making money off of me, and I get? Nothing. Or maybe something when they get around to figuring it out.

First off, if I'm an editorial photographer shooting for Reuters I'm going to be pissed. So now instead of using assigned freelance photos, Reuters can now just go to Flickr and get one for free? Ouch. The cost of images really is coming down. Second, you are going to miss out on the best of the non-Reuter's freelance work out there because they are not going to bother submitting it to a site that doesn't pay them a fair price for their images.

Yahoo! and Reuters should have an established pay schedule by which they will compensate photographers. Something like, "we'll pay $250 minimum for every photo distributed in areas outside our online service," would have been nice to see in the article.

If you need a camera you can get it from here

(Read the full story from The New York Times)


Monday, December 04, 2006

Podcasting is Rolling on and on and on .....

If all you are looking to do is find a soapbox from which to speak your piece, chances are, after you've made your point, your podcasting career will come to a swift end. Too often have I seen this happen. At first, the idea of podcasting is new, fresh and exciting to people. They start out making a new podcast every day.


Now that a respectable duration of time has passed, podcasting shows no signs of slowing down.

People everywhere are creating new podcasts. Some of the more popular ones boast a loyal following of millions around the globe. And just like in any creative venue, you will find the good, the bad and everything else in between. For the most part, all you really need to create a podcast is a computer, Internet Free How-To Guide for Small Business Web Strategies - from domain name selection to site promotion.

As with anything, a little bit of research will turn up a wide variety of products ranging from the bare-bones basics to a complete, professional recording setup. Prices will obviously reflect the quality setup you select so be careful in your choices.

Deciding What to Say
One of the most important things you need to consider before plunging into the podcasting pool is what you have to say and how long it will take for you to say it.

If all you are looking to do is find a soapbox from which to speak your piece, chances are, after you've made your point, your podcasting career will come to a swift end. Too often have I seen this happen. At first, the idea of podcasting is new, fresh and exciting to people. They start out making a new podcast every day.

Then after they say what they have to say, their podcasts get updated every other day, then once a week, then maybe a couple of times a month, until the same podcasts remain unchanged for months, even years, only to be finally abandoned altogether as all interest fades into oblivion.

This usually happens because casual podcasters don't realize how demanding a podcast can be on one's time. So if yours is a limited quest, you may be better off creating one or a series of recordings, posting them on your Web site, and then leaving things at that.

A Plug for the iMic

On a related subject, just the other day I wanted to record something on my computer and discovered that the device I wanted to use did not connect via USB Latest News about USB. Instead, it had the more conventional mini-plug at the end of its cable.

Further exploration of my equipment drawer revealed several such devices, including microphones, telephone recorders, an AM/FM radio and even a cassette tape recorder/player. They all required input or output and the corresponding jack to make them work with my computer. I realized that if I ever wanted to use any of this older equipment, I needed something that could convert their analog outputs and inputs to digital ones, making it possible to physically connect them to my computer's USB port. That's exactly what the iMic from Griffin Technologies does.

Actually, the iMic has been around for years, but it recently got both a cosmetic and functional upgrade. The small, round, disk-shaped device sports "in" and "out" plugs to accommodate your mini-plug equipment. At its other end, the iMic has a USB cable that connects to either your Windows or Macintosh Latest News about Macintosh computer. If the device you're trying to connect is a microphone, for example, you just plug its mini-plug cable into the iMic's "in" plug.

Conversely, if you want to transfer audio out from your computer to your older cassette tape recorder, you connect a cable from the iMic's "out" plug to your cassette recorder's line-in jack. Depending on the sensitivity of the older device, the iMic offers a single switch that lets you select between line and microphone levels.

The iMic sells for US$39.99. Griffin also includes their "Final Vinyl" software that automatically senses and locates the iMic's USB connection, letting you just plug your older device in, connect the iMic to your PC, and start rockin' and rollin'. You can grab one of these here

Thursday, November 30, 2006

Marketing OR Advertising

In this article I will be discussing the concepts and true meanings of advertising and marketing. In understanding these concepts we will have a better understanding of what these words mean and how to better put them to use.

When you think of the words advertising and marketing you usually come to the conclusion that they are the same things. This is a mistake that many entrepreneurs fall into which is why many business owners fall into a pit of watching advertising dollars skyrocket with limited return. Before I get into depth of which method is better, we must first analyze what each one means individually.

Advertising basically means to make something generally and publicly known. Regardless of what you do, you must make your product or service known in order to be utilized by consumers. Without having your product brought to the attention of the public, people will not be able to know that you even exist. Without the knowledge of existence the consumer will have no information to obtain your services.

Marketing on the other hand means to expose for sale in a market. The word marketing itself brings about a much stronger sales term then just advertising. Marketing emphasizes the sale of a product or service within a marketplace. Instead of just making your services publicly known, you are directing your services for sale through a consumer marketplace.

Many businesses owners fall short because they put these two words in the same category. These two words have different meanings which undoubtedly will bring about different results. When you are advertising you are just trying to make your product known. When you are marketing you are distributing your services for sale to a marketplace.

I will not say as marketers or as advertisers. I will say as sales people. The reason why I say as salespeople is because regardless of what type of business you are in, whether it is products, services or a combination of both, you are a sales person. Many people dislike the view of being a salesperson, but even if you are not the individual doing door to door sales, your are still a sales person. When you interact with your customers you are selling yourself with customer service and care. When you run an ad campaign, you are using your ads to be the sales person to attract new prospects to you. In everything we do, even to obtain employment, we are selling ourselves.

With growing competition within every industry, it is impossible to not flourish within any chosen industry without sales. Your sales may not be direct pitches, but that still does not mean that you are not constantly selling yourself. The key to generating sales is by combining advertising and marketing together. We understand the definitions of what sales and marketing mean, now let us combine these words to see what the end result would be.

When combining the words sales and marketing together, we have the result of to make something publicly and generally known to expose for sale in a market. This meaning alone has a much more powerful meaning then just advertising and marketing individually. With this result, marketing and advertising working hand in hand with one another will not only publicize your business but also have a better opportunity of obtaining new clientèle.

When seeing the true meanings of the words advertising and marketing we can form a different opinion of what they really mean. As we explore these meanings we can clearly see their different objectives. When bringing these words together and seeing how they not only can work together to reach our sales goals, but stand stronger together then alone, we can see the true potential and power of these concepts. Now that we can understand the power behind these concepts we have to put these concepts to work for us.

I hope you enjoyed this article and it helped you understand the true concepts of marketing and advertising. Look for my next upcoming article which will display detailed information to further improve your marketing and advertising campaigns.

Tuesday, November 28, 2006

Ninetendo gives Sony a run for its money !

Ninetendo says 600,000 units of its new Wii video game console were sold in the eight days after its release in the Americas. Wii-related merchandise, including accessories and games, has garnered 190 million U.S. dollars since the Nov. 19 launch.

The Wii machine costs 250 dollars, about half the price of Sony's PlayStation 3's least expensive version. PS3 went on sale in the United States two days before Ninetendo offered Wii.

Many fans of both systems congregated at retailers hours up to five days in advance of the launches to guarantee they were among the first to claim ownership of the highly anticipated machines.

"We've shipped retailers several times the amount of hardware the other company was able to deliver for its launch around the same time -- and we still sold out," Nintendo of America President Reggie Fils-Aime said in a statement.

The consoles are also being offered on Internet auction sites such as eBay for several times their retail price tag.

Sony has not revealed how many PlayStation 3 consoles it has sold in North America so far, but has said it aims to ship one million units by the end of the year.

Microsoft has shipped more than six million of its Xbox 360s since launching it in November 2005.




You can grab a Wii from here

Monday, November 27, 2006

Google defends against copyright case

Google defends against Belgian newspaper copyright case by launching spirited defense of caching, summarizing and fair use.



Google Inc. launched a robust defense of its practice of caching and summarizing newspaper articles on its news search engine Google News in a Brussels courtroom on Friday.

The world's most popular search engine had been accused of copyright infringement by a group of French-language Belgian newspapers.

Lawyers for Copiepresse, the association representing the newspapers, said Google was giving away archived articles that the newspapers charge readers for, and was therefore undermining the papers' business model.

Google currently faces copyright lawsuits on a number of fronts. Agence France Presse has sued the company for indexing and republishing AFP news stories taken from the Web sites of its customers. Some authors and publishers in France and the U.S. are suing it over its Google Book Search tool, which displays whole pages from books in the public domain, and excerpts from books still under copyright. And a French film production company has sued the company for distributing a film through its Google Video service.

At issue in the Belgian case is the way Google's news search sites present headlines and excerpts of news stories taken from other Web sites, grouping together stories that Google's software determines are about the same event.

The hearing finished by early afternoon. The judge said she would give her verdict early in the new year.

(Read complete story at Computerworld )

Friday, November 24, 2006

Sony recalls digital cameras


Sony has recalled digital cameras because of sensor glitch, this is another event showing inefficiency on Sony's part after the dell battery recall. I think Sony's brand image is not only detiorating and also falling below a minimum standard. If this continues then it wont be long when companies like LG and Samsung overtake Sony and its brand.


News from Forbes ....

Sony Corp will recall eight models of its Cyber-shot digital cameras because of a defect, the company said. Sony said users might have problems viewing images when trying to take photographs due to a glitch with the image sensor. It declined to say how many digital cameras would be affected by the recall.

The affected cameras -- DSC-F88, DSC-M1, DSC-T1, DSC-T11, DSC-T3, DSC-T33, DSC-U40 and DSC-U50 models -- were sold at home and overseas between September 2003 and January 2005, Sony said.

'In high-temperature and humid circumstances, the digital cameras may fail to show an image through the viewer,' a company spokeswoman said. She said the company would exchange defective parts free of charge.

Monday, November 20, 2006

The race to create a 'smart' Google

Everything you buy online says a little bit about you. And if all those bits get put into one big trove of data about you and your tastes? Marketer's heaven.

The setup:-
"If a girl says she likes 'The Big Lebowski,' instantly, I think 'stoner.' " That's Matthew Kuhlke speaking. We're sitting at a table full of grilled meat and jug sodas on a late-summer weeknight in midtown Atlanta. "She hangs out with a bunch of guys. She dates them a little bit, but she really just likes the attention."

Also at the table: Kuhlke's business partner, Adam Geitgey. Kuhlke and Geitgey grew up in nearby Augusta and finish each other's thoughts the way lifelong friends often do. The pair of unattached, hormonal twentysomethings also have a knack for turning conversations toward dating. "If all a girl likes are romantic comedies," Geitgey adds, "I'd be worried that she's going to be co-dependent, emotionally needy."



I've invited Kuhlke and Geitgey to the restaurant of their choosing to talk about movies and personality. They opted for the Vortex, a bar and grill with a skull for a logo and a rash of thrift-store salvage covering every last bit of wall space. Chairs dangle from the ceiling; a skeleton sits atop a motorcycle near an aluminum camel. As the wait staff buzzes around in hipster flair - piercings, tattoos, dog collars - the former Georgia Tech roommates explain the underlying premise of their company, What to Rent.


The site administers a personality test to visitors and recommends DVDs based on the findings. To demonstrate the connection between movies and personality, the budding entrepreneurs have been describing prototypical fans of everything from "Raging Bull" to "Finding Nemo." Now they'll attempt something more difficult: They'll each pick someone in the restaurant and, without ever talking to them, divine their single favorite movie.

Once they make their picks, my plan is to corner the unsuspecting strangers and see how perceptive these film nerds really are.

Recommender systems like Whattorent.com are sprouting on the Web like mushrooms after a hard rain. Dozens of companies have unveiled recommenders recently to introduce consumers to Web sites, TV shows, other people - whatever they can think of.

The idea isn't new, of course. In a time of impersonal big-box stores and self-checkout stations, independent shopkeepers compete by doing this sort of thing every day.

What does the fact that you drive a Prius and buy organic baby food say about you? At the farmer's market, it says, "Grass-fed ribeye, heirloom tomatoes and line-caught salmon." In the local appliance store, you're looking for a low-energy, front-loading washer with matching dryer. For those shopkeepers, it's more than a parlor trick. It's good business.

We don't just buy products, we bond with them. We have relationships with our things. DVD collections, iTunes playlists, cars, cell phones: Each is an extension of who we are (or want to be). We put ourselves on display through our purchases, wearing our personalities on our sleeves, literally and figuratively, for the world to see.

And if you don't subscribe to this sort of materialism - if you don't define yourself by the clothes on your back or the neighborhood you live in - well, that's just another brand of expression.

In the real world, we use apparent information, coupled with context, experience and stereotypes, to size each other up. This sort of intuition is useful and often accurate, but it's also fallible.

Online, the picture becomes clearer. Consumers now routinely rank experiences on the Web - four stars on IMDb for "The Departed," three stars on Epinions for a Roomba vacuum, a positive eBay rating, a Flickr tag. Each time you leave such a mark, you help the rest of us make sense of all the look-alike, sound-alike stuff on the Web.

You also leave a trail. For the company that can decipher all that information, the opportunity is staggering. That company will know you better than the shopkeeper knows you, better than the credit bureau or, arguably, even your spouse. It will pinpoint your tastes and determine the likelihood that you'll buy any given product. In effect, it will have constructed the algorithm that is you.

New kids in town

There's a sense among the players in the recommendation business - from newcomers like MyStrands and StumbleUpon to titans like Yahoo (Charts) and Sun (Charts) - that now is the time to perfect such an algorithm.

The Web, they say, is leaving the era of search and entering one of discovery. What's the difference? Search is what you do when you're looking for something. Discovery is when something wonderful that you didn't know existed, or didn't know how to ask for, finds you. When it comes to search, there's a clear winner - a $145 billion company called Google (Charts).

But there is no go-to discovery engine - yet. Building a personalized discovery mechanism will mean tapping into all the manners of expression, categorization, and opinions that exist on the Web today. It's no easy feat, but if a company can pull it off and make the formula portable so it works on your mobile phone - well, such a tool could change not just marketing, but all of commerce.

"The effect of recommender systems will be one of the most important changes in the next decade," says University of Minnesota computer science professor John Riedl, who built one of the first recommendation engines in the mid-1990s. "The social web is going to be driven by these systems."

Amazon (Charts) realized early on how powerful a recommender system could be and to this day remains the prime example. The company uses a series of collaborative filtering algorithms to compare your purchasing patterns with everyone else's and thus narrow a vast inventory to just the stuff it predicts you'll buy.

"Personalized recommendations," says Brent Smith, Amazon's director of personalization, "are at the heart of why online shopping offers so much promise." So far, the company has struggled to deliver on that promise. Its system favors popular, obvious items and tends to come off less like a trusted shopkeeper than a pushy salesman: If you liked the novel "The Corrections," you'll see suggestions to buy "The Discomfort Zone" and everything else Jonathan Franzen has written. If you bought a gift for a baby shower, you're bound to get a stream of recommendations for cheap plastic toys and birthing blankets.

The new generation of recommenders will do better. Some employ filters that factor in more variables. Others analyze the contents of what they're recommending to grasp why you like something. A third category, hybrid recommenders, combines both strategies.

To tap into some of the brainpower gathering in the recommender space, Netflix (Charts) recently established the Netflix Prize, offering a $1 million bounty to anyone who can improve by 10 percent the efficacy of the company's recommender system.

A few days before the contest was officially announced, VP of recommendation systems Jim Bennett expressed doubt about whether anyone would reach the goal ahead of the ten-year deadline, but said it'd be well worth the $1 million if someone did. Five weeks later, 37 registrants had already posted improvements to the Netflix system. Two contestants were just short of halfway to the goal.

The magician's secrets

Back at the Vortex, Kuhlke and Geitgey discuss how their parlor trick works. They'll draw on their knowledge of cinema and their experience categorizing hundreds of films - by star power, plot complexity, etc. - at What to Rent. "When you watch a movie, you interact with it like you're interacting with another person," Kuhlke says. "You're forming a relationship."

Geitgey goes first. He scans the crowd and homes in on a target, a guy delivering meals and clearing dishes.

On their site, Kuhlke and Geitgey use a series of odd questions to determine a user's personality. "How much money would it take for you to wear a neon-green fanny pack for the rest of your life?" Or: "What do you like better, reading a book or watching TV?" Here, it's all about observation. This is what Geitgey sees: tattered jeans, a steel bracelet, a few tattoos. The target may be gathering dishes but seems too authoritative to be a busboy. He appears to be in his late 20s and is working, Geitgey surmises, "in a youth-trendy restaurant in the part of the city where people that age who don't have real jobs hang out."

Geitgey makes a few leaps. "Those are the kind of guys who barely made it through high school because they couldn't focus, but spend most of their time reading light philosophy books by singers-turned-writers like Nick Cave," he says, insisting that the target is trying to square budding intellectualism with his physical image.

So. Which movie? "He would be interested in things that have an underlying philosophy but are also physically intense," Geitgey concludes. " 'Starship Troopers' fits that exactly - a bit of mild antiestablishment philosophy with some bad-ass bug-killing."

Musical taste

In a few short years, Pandora has become the most efficient new-music discovery mechanism in history. That's not saying much, really. Consider the alternatives: scouring magazines for reviews, flipping through albums in the record store, listening to radio stations all play the same songs.

At Pandora.com, you type in the name of a band or song and immediately begin hearing similar tunes that the site's recommender system - a.k.a. the Music Genome Project - has determined you'll enjoy. By rating songs and artists, you can refine the suggestions, allowing Pandora to create a truly personalized station.

Unlike collaborative filtering engines, Pandora understands each song in its database. Forty-five analysts, many with music degrees, rank 15,000 songs a month on 400 characteristics to gain a detailed grasp of each.

A former musician and film composer, founder Tim Westergren came up with the idea for Pandora while scoring movies for directors. "They weren't musicians, so no one was saying, 'I like minor harmonies and woodwinds,' " he says, leaning back in his chair at Pandora's Oakland headquarters. "So it was my job to figure out their musical taste. I developed a genome in my head, and would say, 'Okay, you like this song; do you like this one?' "

Four million people now use Pandora the same way those directors used Westergren. Let's say I type in Bloc Party, a pop/punk band that's part Franz Ferdinand, part Sonic Youth. The next tune I hear might be from We Are Scientists, a Brooklyn indie band with, Pandora determines, similar "electric-rock instrumentation, subtle use of vocal harmony, and minor-key tonality."

Next I get a catchy song from a pop-punk/emo band called Fire When Ready, which stands at No. 225,301 on Amazon's music sales list. It's safe to say that few consumers are searching for this band. But on Pandora, it's only a few degrees of separation from Bloc Party.

To draw a line from Bloc Party to Fire When Ready, the Music Genome Project combs through hundreds of thousands of songs and millions of pieces of user feedback. It's an impressive technological accomplishment but not nearly as impressive as the implications.

If Pandora can nail me as a fan of a band that few people have ever heard of, and my musical tastes are an intimate expression of who I am, then Pandora could introduce me to a lot more than music. Take it from Jason Rentfrow. "If you know I like Ahmad Jamal," Rentfrow says, referring to the 64-year-old jazz musician who played piano for Miles Davis, "that'll stimulate other information that you can infer about me."

The perfect holiday shopping guide(ster)

So Rentfrow likes sophisticated jazz. What sort of picture does that paint? If you think he's intelligent, articulate, a bit geeky and soft-spoken and wears glasses, well, you'd be relying on stereotypes. And you'd be right.

Of course no person is one-dimensional. Rentfrow also likes the rap group A Tribe Called Quest. With that information, you would probably redraw his caricature. Now maybe he seems younger and more open-minded. Revealing a list of his 50 favorite artists would flesh him out even more.

Rentfrow is a 30-year-old psychology professor at the University of Cambridge (Britain). To study the links between musical taste and personality, he and University of Texas psychology professor Sam Gosling administered personality tests to 74 students and instructed each to submit a list of ten favorite songs, which were then played for another set of volunteers.

After listening to the songs, the second group ranked each person on 28 characteristics. Rentfrow then compared those results with the earlier personality tests. Music turned out to be a poor predictor of emotional stability, courage and ambition, but accurate on extroversion, agreeableness, conscientiousness, openness, imagination and even intellect.

An ongoing study conducted by Rentfrow at www.outofservice.com, where 90,000 people have taken a music/personality quiz, pushes the point even further, tying taste to political leanings, demographics, lifestyle, favorite authors - movies even.

As recently as a decade ago, when musical preference was the province of a stack of CDs in the living room, such research may have been a dead end. But music recommenders can now draw lines from musical tastes to all sorts of things. Rentfrow and Gosling explored the connection between music and personality out of scientific curiosity. But the connection could have broad applications in business. Goodbye, context-based advertising. Hello, personality-based advertising.

Educated guesses


Geitgey's made his choice: "Starship Troopers." Now it's Kuhlke's turn. He's spotted a waitress. She's in her late teens or early 20s, black hair in a bob, very cute. She looks at the floor as she walks and avoids eye contact with customers. "She's unhappy," Kuhlke surmises. "She's working around all these jerks who just want to have sex with her."

Geitgey chimes in, suggesting she wasn't popular in high school and is shaking off her past by working in a cool place. Kuhlke cuts him off. "This place is the Applebee's of cool!" he insists. "If it was really cool, it wouldn't be a chain and there wouldn't be a paid parking lot across the street."

So what? "So she'd pick the wrong movie," he continues. "She'd like an old-school romantic comedy, but she'd pick 'Breakfast at Tiffany's,' a totally crappy movie. She's cool enough to know she should pick Audrey Hepburn, but not cool enough to pick the right movie, 'Roman Holiday.' "

The waitress is obviously attractive, maybe the prettiest woman in the restaurant. And she does seem bothered by - or at least indifferent to - her surroundings. But that hardly makes her prone to ill-informed choices. Kuhlke reconsiders. Maybe she would like 'Roman Holiday.' He clearly wants her to say 'Roman Holiday.' Flustered, he jumps off the romantic comedy train altogether.

She's disaffected, he insists, throwing his arms in the air. "Girl, Interrupted."

Big brother online

Just back from a visit to his childhood home in Kiev, Max Levchin is in his South of Market office holding up a propaganda handbill that he picked up in Moscow. He wants to mount it on a wall at his new startup, Slide. The poster features a railroad worker staring out from a caboose and a headline that Levchin translates aloud. "Literally, it says 'Night - not a hindrance to work!' " he says, mocking a sinister laugh, "though the implication is clearly, 'Keep working, bitches!' "

Levchin's team doesn't really need the reminder. The 31-year-old CEO drinks eight espressos a day and possesses a work ethic that's famous around Silicon Valley. He often arrives in the office by six and is still there 12 or even 18 hours later. After co-founding the online payment service PayPal in 1998, he battled fraudsters before taking the company public in 2002 and selling it several months later to eBay (Charts) for $1.5 billion. "The crux of PayPal is a risk-management company," he explains. "We perfected the ability to say, 'The odds of you stealing money are X.' "

Levchin cross-referenced traffic patterns, auction histories, user interactions, geography and a thousand other factors to root out fraud. "I would obsess on multivariate analysis. I'd have printouts and printouts graphing the relationship between any two variables," he says. "For a long time we didn't even patent this stuff because it was so secret."

These days, Levchin has the typical angst of a second-time entrepreneur. He's obsessed with proving that his first success wasn't a fluke, and he wants to exploit the biggest opportunity he can find. He's using what he learned at PayPal, not to root out fraud but to create the best recommender system he can imagine, one that will cover the entire Web, pulling content of all kinds - music, movies, gadgets, blogs, news stories, cars, one-night stands, you name it - filtering it according to individual preference and delivering it to the desktop.

Instead of quantifying the odds of your stealing money, he's building a "machine that knows more about you than you know about yourself."

If Slide is at all familiar, it's as a knockoff of Flickr, the photo-sharing site. Users upload photos, which are displayed on a running ticker or Slide Show, and subscribe to one another's feeds. But photos are just a way to get Slide users communicating, establishing relationships, Levchin explains.

The site is beginning to introduce new content into Slide Shows. It culls news feeds from around the Web and gathers real-time information from, say, eBay auctions or Match.com profiles. It drops all of this information onto user desktops and then watches to see how they react.

Suppose, for example, there's a user named YankeeDave who sees a Treo 750 scroll by in his Slide Show. He gives it a thumbs-up and forwards it to his buddy" we'll call him Smooth-P. Slide learns from this that both YankeeDave and Smooth-P have an interest in a smartphone and begins delivering competing prices. If YankeeDave buys the item, Slide displays headlines on Treo tips or photos of a leather case. If Smooth-P gives a thumbs-down, Slide gains another valuable piece of data. (Maybe Smooth-P is a BlackBerry guy.) Slide has also established a relationship between YankeeDave and Smooth-P and can begin comparing their ratings, traffic patterns, clicks and networks.

Based on all that information, Slide gains an understanding of people who share a taste for Treos, TAG Heuer watches and BMWs. Next, those users might see a Dyson vacuum, a pair of Forzieri wingtips or a single woman with a six-figure income living within a ten-mile radius. In fact, that's where Levchin thinks the first real opportunity lies - hooking up users with like-minded people. "I started out with this idea of finding shoes for my girlfriend and hotties on HotorNot for me," Levchin says with a wry smile. "It's easy to shift from recommending shoes to humans."

If this all sounds vaguely creepy, Levchin is careful to say he's rolling out features slowly and will only go as far as his users will allow. But he sees what many others claim to see: Most consumers seem perfectly willing to trade preference data for insight. "What's fueling this is the desire for self-expression," he says.

As Levchin and his charges set out to build a new type of search engine - a new Google - one question becomes obvious: Where's the old Google? VP of engineering Udi Manber refuses to comment on whether there's a recommender system in the pipeline. But it's a safe bet something is coming.

Google's director of research, Peter Norvig, is an advisor to CleverSet, a recommender company in Seattle. Steve Johnson, CEO of Boston-based recommender system ChoiceStream, which provides the collaborative filtering engine behind AOL.com, Blockbuster.com, iTunes and Directv.com, says he's been talking to Google about building a system for YouTube.

"Google needs to go to a preference-based search paradigm, and I believe they're moving in this direction," Johnson says.

Payoff


Kuhlke and Geitgey never had Google-sized ambitions for Whattorent.com. The co-founders, who recently took day jobs as software engineers on opposite ends of the country, didn't expect their site to be a huge moneymaker. They were a couple of undergrads trying to save their pals from the movie geek's ultimate nightmare scenario - walking around Blockbuster with no idea what to rent. They accomplished that much. But they may have also helped pave the way for a whole new way for marketers to get inside your head.

We've paid the bill at Vortex, and it's the moment of truth. We approach the guy with tattoos, who, as it turns out, is the restaurant manager. We tell him what we've been up to and ask him to tell us his favorite movie without thinking.

"Brianna Loves Jenna," he says with half a smile and a lift of the eyebrows. Everyone laughs. New rule: no porn. Then the guy crosses his arms, pauses for a moment, and exclaims, "Starship Troopers!"

High-fives all around. Geitgey nailed it.

Now the waitress. We haven't seen her talk to anyone since we walked in. Kuhlke and Geitgey hang back as I approach her. For the first time all night, the woman who will be remembered as "Audrey" lifts her cheeks to reveal a smile that comes both from a set full of wonderful white teeth and a pair of impossibly green eyes.

"Roman Holiday,"


(Article from CNNMoney.com By Jeffrey M. O'Brien, Fortune writer)

Sunday, November 19, 2006

To Zune or not to Zune ?


Microsoft's new Zune media player, which goes on sale today, is aimed directly at Apple's wildly successful, music industry-changing iPod. But how does it stack up?

The main innovation is WiFi-based sharing of songs and digital photos wirelessly between two or more nearby Zunes. There's also an integrated FM radio tuner, something the iPod lacks. The display of the Zune is bigger, and the screen automatically shifts to a wide, horizontal view for videos and pictures.

Battery life of the Zune is about the same as the video iPod, as is the cost (the Zune costs $250. A comparable 30GB iPod with video costs $249) The Zune Marketplace uses a point system in which most songs cost 79 Microsoft Points each - the equivalent of 99 cents - the same that iTunes charges for most songs.

Microsoft explains that this Zune is just the first of what will be an entire family of media devices. Will the Zune eventually become a Voice Over IP phone? Will it be able to download music wirelessly from the Zune Marketplace? Will smaller, flash memory-based Zunes -or Zunes with larger storage capacity emerge any time soon? Only Microsoft knows. For now, though, the questions are: Should you buy a Zune? Should you switch from an iPod?

(- Peter Lewis from Fortune)

Thursday, November 16, 2006

What's Next For Digg ?

One of the biggest darlings of the "Web 2.0" generation is Digg, a tiny San Francisco-based company whose social news site ranks the day's top stories based on users' votes.

Kevin Rose, a former TechTV star, founded Digg in 2004 and got Internet veteran Jay Adelson--who helped build Netcom, one of the first U.S. Internet service providers, and founded networking firm Equinix (nasdaq: EQIX - news - people )--to join as the company's chief executive. Since then, the site has grown from relative obscurity to a big hit: Adelson says Digg gets about 1 million visitors a day and ten million unique visitors a month. (That number is much higher than rankings from Web measurement firms like comScore Networks; Adelson says those companies don't present an accurate picture of his audience.)

Privately funded Digg is consistently rumored as one of the next big Internet acquisition targets, especially following Google's (nasdaq: GOOG - news - people ) $1.65 billion purchase of YouTube last month. After speaking to information technology executives at the Forbes CIO Forum, Adelson sat down with Forbes.com Tuesday to chat about Digg and the new Internet boom.

Q: You've done your time in big-business IT and now you work for a cool tech media startup. What do CIOs think of you?

Adelson: I've been involved in entrepreneurship and starting businesses since 1992. I've done it the traditional way. I've been a CIO. I've spent millions of dollars on back-end systems, and I invited these large integration firms to come in and often fail at executing a back-end system. When the CIOs in the audience see me, they see Digg and a Web 2.0 company doing things completely with open source, executing faster, and there's an assumption that they have: "Well, if I do what Jay did with Digg, I would lose my job because my CEO would never take me seriously if I used these very secure, stable, well supported open source products." I just think that's a shame.

Q: When Google bought YouTube, some content creators complained because they didn't get a share of the windfall. To an extent, social Web sites are completely a product of their users. Should they get paid for their contributions?

We believe that for a community to be strong, it has to be based on other motivations. To participate in a community means you have a passion about something, and you want to participate as a result of that passion. Once you start compensating the community members, you start creating these hierarchies where one person is worth more than another person. And that's the opposite of a level playing field. It can work for smaller communities and ones that are less dependent on equality and neutrality. We don't believe it works for Digg.

Q: Is Digg for sale?

No. Digg is not for sale. Our focus is entirely on execution. The only way that Digg would ever be for sale is if someone came to me and could help me achieve my goal ten times better than what we can do alone. There's been a lot of rumors out there, and it's mostly stirred up because of the YouTube acquisition. Basically if you're a Web 2.0 company right now, somebody's going to come up with a rumor.

Q: Silicon Valley rumor mill blog ValleyWag wrote yesterday that you will be ditching Federated Media Publishing, your ad provider, for greener pastures. Is this true?

No. We're not pulling out of Federated Media. We're extremely happy with the relationship we have with them, so I have no idea where that comes from. We've seen incredible results from their team, especially in recent months. This is one of the issues with this new blogging community. There's no real way to do fact checking. There's no infrastructure to accommodate some of that. There are a lot of bloggers who do [check facts], but you have to be careful with the rumor mill, especially in the Web 2.0 space.

Q: You've grown tremendously. How often do you change the Digg gears to keep the system working right?

We watch the interactivity of the community in real time. So we are constantly reactive to what we think are trends or things that impact diversity. For example, every now and then we'll make a change to the algorithm which might take in some new factor. Maybe it has something to do with speed or history or the particular category or the time--or whatever. All these factors we've learned over two years how to tweak so that the users feel that results are better--not our subjective decision, but rather the community's. "Diggs" are an incredible factor--we can see what people are attracted to. We have a sense of what people like and what they dislike. The stories will change depending on how we tweak some of those things and how we visualize them as well.

Q: There's a lot of talk about how blogs and sites like Digg will revolutionize the news industry. But many of Digg's popular stories are from big companies like The New York Times and CNet. How do old and new play together on Digg?

Different content has different purposes. What's great about the editorial model is that it generates reporting. There's an economy around a reporter who goes out, who has editors, and gets paid to go out and do investigative reporting. There's also a publication cycle associated with those traditional outlets. Something like The New York Times will release a paper in the morning. You'll notice on Digg around the times of publication cycles, you have lots of stories from those traditional media outlets because the reporting is good and the writing is good.

But the news world, and frankly the content on the Internet world, is a live medium. It's changing every minute of every day. So other sources of news and information like blogs are fantastic for filling in those gaps. Since Digg doesn't treat one better than the other, once in a while a blogger will surface who is a great writer and actually does do a certain amount of investigative reporting, and that blog will rise to some degree of popularity.

Q: Will Digg always be a niche product for techies or can it attract a mainstream audience?

We started with technology and had that sort of underground, hip-tech culture. Kevin Rose, who founded Digg, came from TechTV, so there is that technology basis. But right now, there are more non-tech stories submitted than tech stories. The activity of politics is probably our second most popular section on all of Digg. These are not traditional IT or tech people who are contributing to this. The opportunity certainly extends beyond tech.

The first month we started Digg, we knew we were going to do other types of content, and users were submitting other types of content and [their stories were voted off the site] because it was known to be a technology site. Once we said it was OK, suddenly a flood of other users came in.

What's next for Digg? What can Diggers look forward to?

Well Digg as a company was never originally founded to focus entirely on news. News is a great content to leap off of, because it's changing constantly. We talk about it constantly, and in a way it's self-serving because the media is an incredible group to disintermediate. There are a number of types of content that disintermediation can apply to. If you can think of a content object on the Web, something that you go to the Internet to discover or learn something about, or buy or anything, I can apply Digg to those different forms of content. How I do it, the user interface behind it, it's all going to be slightly different, but I think in the next six months you'll see us branch out to a lot of other things besides news. We're busy, all 17 of us, we're cranking away as fast as we can.

Q: You have a broadcasting and film background, and you work in Internet television. What's your favorite TV show?

Right now it's probably Heroes. My wife and I watch that every Monday. We love that show. We like traditional television. I'm a sucker for crime drama. Battlestar Galactica is probably one of the best produced shows out there. I'm sci-fi fan. Then again I also love the niche programming that's available like This Old House.

That being said, I think there's room for a whole new opportunity of on-demand media, which is what Revision 3 is all about, our other company. With television, there's a point of time when I'm very passive, when it's being served to me. There's other times when I want to be proactive, when I want to go get that content from my cell phone or from my TiVo. What content is available for me out there? One of these days you're going to ask me not "What is my favorite TV show?" but "What do I watch the most?"

(this interview was conducted by Forbes.com)

Wednesday, November 15, 2006

What's behind the Xbox 360 ??

What is behind the Xbox 360 being able to deliver movies and Television programs ??


CineForm(R), Inc. and Wafian(TM) Corporation today announced that Xbox 360(TM), the videogame and entertainment system from Microsoft, has selected the Wafian HR-1 direct-to-disk recorder running CineForm Intermediate(TM) image processing software as part of its production workflow to bring standard and high-definition TV shows and movies to Xbox Live(R) Marketplace in the U.S.

Beginning November 22nd, Xbox 360 gamers can access standard and high-definition content available for download using the VC1 compression format. The originating content, which derives from various tape and disk-based sources, is first pre-processed using advanced CineForm Intermediate software running on the HR-1. The processing includes adaptable inverse telecine algorithms to remove duplicate fields, plus optional de-interlacing and spatial image resampling. The result is a 10-bit CineForm Intermediate file that is archived for future use, and is also used as the source for coding into the VC1 distribution format.

"Our need to prepare nearly 1000 hours of content before launch on November 22nd placed big demands on our project team," said Scott Stacey, Program Manager for Xbox Live Content Distribution. "The high quality bar of our HD and SD video delivery, combined with the need for super fast turn-around required us to invent a new content creation workflow. As we evaluated multiple options, it soon became apparent that the high visual quality and comprehensive feature integration delivered by the CineForm-Wafian solution provided the best workflow for our demanding requirements."

"It's exciting to play an important role in an industry-leading program like Xbox Live Marketplace," said David Taylor, CEO of CineForm. "But our development clock was running from the first phone call. To meet the aggressive Xbox Live production schedule, we needed to quickly develop new features for our CineForm Intermediate software and successfully integrate them into the HR-1. But we couldn't be happier with the result -- we're now well prepared to support the industry's growing need for content reformatting, archiving, and delivery."

"We're excited to have HR-1 recorders play a key role in the Xbox Live Marketplace ingest process," said Jeff Youel, President of Wafian Corporation. "The HR-1 platform provides a powerful and flexible tool for ingesting hours of HD and SD video into the superior CineForm Intermediate format. Unique features like record triggers, real-time inverse telecine and SD de-interlacing developed in partnership with CineForm, make the HR-1-based workflow compelling, simple and efficient."

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Wednesday, November 01, 2006

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Tuesday, October 31, 2006

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Thursday, October 19, 2006

Analysis: Google’s Q3 Profit Doubles, but at Who’s Expense?

In yet another testament to the growth of search and online advertising, Google reported a 70% jump in profits and nearly doubled revenues for the third quarter. The company has already proven that it is possible to make money, big money, on selling advertising online. The next step is to apply those skills to new areas like music and video.


“We seem to be able to produce new ways of monetizing our products all the time”, says Sergey Brin, co-founder of Google, during a conference call on Thursday.


The positive news from Google’s Mountain View, CA headquarters comes on the same day that NBC Universal announced it will overhaul operations, cut about 700 jobs and slash annual costs by $750 million from its traditional media operations.


NBC executives said some of its savings would be invested in new growth areas of media. The company expects revenue from digital operations like online and mobile entertainment to exceed $1 billion by 2009. Is it possible? Well, looking at Google’s revenue, which totaled $2.69 billion, there was a 70 percent increase from $1.58 billion last year. And that is just for the last quarter. So, it seems like anything is possible right now in the digital space.


“We are entering a new era of what is possible to do on the Internet. We are going from search advertising to digital entertainment”, said Google Chief Executive Officer Eric Schmidt during the conference call on Thursday.


So, we have seen that the industry has come to realize that the future of media and entertainment is digital and online. Even the giants of “old media” have come around. What conclusion can we draw from that?


First, digital entertainment and search advertising are about to become a very crowded space. Yes, Google keeps on growing its profits at an incredible rate. But we must remember that it was just a few days ago that its rival Yahoo! reported a 38 percent decline in profits. Digital media and entertainment are not as easy to monetize as Google might make it seem. And many of the new entertainment and technology companies springing up in Silicon Valley are basing their business models soley on advertising. Will there be enough ad spending to go around, especially if the housing bubble bursts and the general economy takes a dive?


Second, the legal issues in the digital realm are far from resolved. This creates a lot of uncertainty for both content providers, aggregators and distributors. No one wants to be the next Napster, but no one wants to be Universal Music or Sony BMG either. I’m confident that these issues can be resolved and already we have seen some indications of that in the recent YouTube deals with the labels. But uncertainty is never good for business.


Finally, Web 2.0 is a game changer. As Hal Varian, a professor of business, economics and information management at the University of California, Berkeley, advices “old media” executives in a recent NYT article: “You have spent a lot of time worrying about piracy, but the biggest threat you face is the falling cost of producing and distributing digital content.” Yes, but it is also “old media’s” biggest opportunity. User generated content on YouTube, virtual worlds like Second Life and social networks like MySpace represent new ways to engage an audience. Google has showed that it is possible to monetize these opportunities. But to some extent it is a zero-sum game. That is why companies like NBC Universal should be worried about Google expanding into video with YouTube, armed with the proven capability of delivering advertising solutions that are much more effective than the 30-second spot.